Saturday, April 18, 2009

Site Update

Note from the site owner:

Sagath!

Personal life has kept me very busy lately, but I expect to be able to resume posting here at The Gilkesh Chronicles very soon.

The Queen's Courtesan, a serial story set in the Gilkesh universe is now up to 42 chapters. It is written in the form of a historical novel. Thus, future accounts of the persons, places, and events described in TQC may vary in some details.

Previously posted links to The Gilkesh Encyclopedia no longer work; the cost of maintaining the site and the effort required to keep it spam-free proved prohibitive. However, all material previously posted there will be made available here.

Homepage for the Gilkesh Language is at the link.

Gilkesh Anshag - The Gilkesh Universe covers much of the same material found here, plus maps and notes; also links to Galaxiki.

Some Gilkesh-related material is posted at Lilith's Book of Nights (formerly titled "The Ocean Names of Night").

Keep watching this space; new material should be coming soon.

Monday, July 07, 2008

Early History, and the Space Age

Their ancestors evolved from a small clan of two-legged mammals on the edges of the great forest in the southernmost continent. Over the generations, these primates developed upright posture, night vision, toolmaking ability, parthenogenesis, and speech.

They slept through the day and hunted at night. During the nighttime, they traveled far and learned to tell time and direction by the stars. By day, each band appointed a sentinel, usually a nursing mother, to keep watch over her sleeping companions, and so learned language and social organization.

Over the course of hundreds of generations, they learned to cultivate plants for food. They began to form permanent settlements, and so conserved their time and energy to allow better care for the young. Their numbers grew rapidly.

Writing appeared very early in their history. The earliest records were rosters of names and families, fertility calendars, and ledgers of grain offered in the temple or traded in the marketplace. Disputes over land, resources, and custody of the young were common and often deadly; law and mathematics first developed, not as civilizing luxuries, but as matters of survival.

...

Darkhaven was one of the first major offworld colonies of the Realm of Oroven in the centuries-long space race that dominated the late history of the Gilkesh people on their homeworld, Shakti. Relations between the tribes of Oroven and those of the land of Ullari to the south varied from year to year.

The Gilkesh space age did not erupt in a single generation like its terrestrial counterpart, but came about from the steady improvement of the flying machines of the Industrial Age. Still, the Gilkesh are in their own way no less competitive than humans, and tribal pride probably played an important role in spurring Shakti's aerospace engineers to greater creativity. Perhaps, too, the night-loving race yearned to consummate its ancient love affair with the stars.

For generations, space travel evolved slowly but steadily. Like the seagoing ships of their world or ours, the spacecraft of the Gilkesh did not change radically over time, nor vary far from a few basic designs, except as improvements in materials or engineering warranted. For the majority of the Gilkesh space age, all space travel was sub-light. Propulsion was either chemical (hydrogen/oxygen or methane/oxygen) or fusion-driven. Interstellar voyages were conceived and carried out as multi-generational projects.

The first contact with extramundane intelligent life is a matter of dispute; there are numerous conflicting historical accounts and the questions will probably never be fully resolved. It is generally accepted that the first aliens encountered by the Gilkesh were a reptilian (or quasi-avian) race known as the Fao, who also lacked exotic space travel technologies. However, some sources insist that the first contact was actually with the elusive Voha'i.

Over time, a few of the colony worlds would rival Shakti in population and influence, though they remained subordinate to Shakti in terms of direct political power. Worlds like Arrikhar and Darkhaven, already well established even before the advent of hyperspace travel, would become major centers of Gilkesh power in the ages following the Cataclysm.

Hyperspace travel was first developed by Gilkesh engineers at the research facility on Arrikhar; at least, that is the official story. Unofficially, some have claimed that the technology was borrowed from the Voha'i. In this version, the planet Voha takes on a mystique not unlike that accorded by many humans to the town of Roswell, New Mexico. But regardless of who invented it, the Gilkesh quickly learned to master and manufacture the hyperspace drives that would bring them into contact with new worlds and new universes. It was only then that they would cross paths with an alien race very much like themselves, but possessing two sexes, like their own primitive ancestors.

Tuesday, January 15, 2008

The Gilkesh Ages

The known Ages of the Gilkesh universe are, in roughly ascending order of technological sophistication:

Obsidian (stone age)

Jade (classical civilization)

Emerald (industrial and early space age)

Topaz (advanced civilization)

Sapphire (highly advanced)

Opal

Onyx

Sunday, October 21, 2007

Sagath! Welcome!

You are reading "The Gilkesh Chronicles". For the most current information on the Gilkesh civilization, please visit the following sites:

Gilkesh.com - The Gilkesh Encyclopedia. Comprehensive reference for all things related to the Gilkesh universe. Includes history, culture, biography, philosophy, science and technology. New articles are added daily.

Gilkesh language homepage. Detailed information on Gilkesh duor, the Gilkesh language. Includes vocabulary, grammar, pronunciation, alphabet, and lessons for beginners.

Gilkesh Anshag - The Gilkesh Universe. The official Gilkesh blog. Includes maps, trivia, updates, and new information as it becomes available.

The Queen's Courtesan. A serial story of romance and intrigue, set in the Gilkesh universe.

Shadsie kedrima "Gilkesh Urud-Sapir". Ganse kla zunudam per Gilkesh-Anshage la kedriman:

Gilkesh.com - Gilkesh Zunud-Sapir.

Gilkesh Anshag.

Ninwi Dayasi.

Friday, October 19, 2007

Gilkesh alphabet - vowels and semivowels.

Gilkesh alphabet - the weak consonants.

Gilkesh alphabet - the strong consonants.

Map of Shakti

Tuesday, October 16, 2007

Lilith

In Gilkesh mythology, Lilith she represents the creative force and the owtward-directed urge toward growth. She is sometimes called the Angel of Night...

Continue reading: Lilith - The Gilkesh Encyclopedia

Tuesday, October 09, 2007

The Gilkesh

The Gilkesh.

See also:
The Queen's Courtesan
Gilkesh language homepage


The Gilkesh (the name means “star women”) are a humanoid race believed to be closely linked to modern humans. The exact nature of the relationship, however, remains in dispute. It is unclear whether the Gilkesh arose from humans, or the humans from Gilkesh. There is considerable variation among Gilkeshne in physical characteristics, owing to genetic drift and bioengineering, but overall they tend to exceed baseline humans in physical endurance, strength, mental acuity, agility, and tolerance for adverse conditions. They are nocturnal and have acute night vision. All Gilkesh are female.

In the era of "The Queen's Courtesan", the Gilkesh homeworld faces danger from a space warp and from the shadowy, nihilistic cult called Singularity.

Singularity originated on Shakti, but its membership is no longer confined to the Gilkesh. After the death of its founder Q'ormis (the Q-apostrophe is pronounced like a guttural G, by the way) and her followers, the cult was believed to be extinct but in fact it went underground. With the advent of space travel its members began recruiting converts from among the Humans, the Fao, and the other intelligent races.

For the Gilkesh, space travel is emblematic of the journey away from the "mother planet" and into the larger universe. This is one of the biggest challenges of the mother/daughter dynamic - and the Gilkesh, who have only mothers, understand this. This is why their culture is structured to emphasize the importance of individuation, and why Singularity, with its seductive message of "returning to the source", is in a sense the antithesis of normal Gilkesh values.

Of course on some level we have to make peace with our origins and "return to the source". This is why both Lilith and Eve are important in Gilkesh mythology. In this context, Lilith represents the outward force and the will to live, while Eve represents the ultimate return to the metaphysical "womb". In the Gilkesh tradition, Lilith guards the gates of the underworld, while Eve is the Angel of Death. (Remember, in our Bible, Eve was the bringer of death *before* she was the bringer of life.) You could say that they represent Jupiter and Saturn, respectively, astrologically speaking; or in Jungian terms, Eros and Thanatos.

In the chapter on Lilith, I have several of the characters giving their interpretations of the symbolism of Lilith in their culture. Notice that Sestris - who is a Singularity adherent - has a very different interpretation from the others. I used the device of the characters addressing the reader in an "aside" (you could picture, as in a movie, the characters speaking directly into the camera) as a way to present the information directly rather than trying to figure out how to work it into the story - especially with Sestris, who is "undercover" and would not normally talk about her beliefs openly with the other characters.

Gilkesh reproduction occurs via parthenogenesis; however, while it is biologically possible for a Gilkesh adult to conceive alone, custom demands that conception occur in the presence of an intimate partner or spouse. The taboo against “lonebirthing” is among the strongest and most universal in Gilkesh culture. This is because the partner’s spiritual influence (or auric field) is deemed essential for the healthy development of the fetus. The partner’s presence allows the mother’s DNA to recombine more creatively than would otherwise be possible; so while the mother’s partner (called the bondmother) does not physically contribute genetic material, she does influence the child’s genetics. It is universally accepted among the Gilkesh that an infant inherits traits from her mother’s partner as well as from her mother. Generally it is assumed that the birthmother (the biological mother) passes on her physical traits, and the bondmother (mother’s partner) passes on personality and spiritual traits.

Many variations on the nuclear family exist. In general, the Gilkesh generally bond in pairs (and not, for example, in threesomes or larger groups), but local and individual practices vary widely. Childrearing follows a crossover pattern: from birth, an infant is nurtured by her birthmother, but gradually – beginning around age three and continuing through adulthood – her bondmother plays a more active role in parenting. The birthmother’s role is as nurturer and protector, the bondmother’s role is as guide and teacher. The proverb, “We grow away from our birthmothers, and toward our bondmothers” encapsulates this idea. The bondmother’s duty is to prepare the girl for adulthood and independence. In a household where both parents have borne children, a child growing up thus has the chance to observe her parents in both roles.

Sex is not a biological prerequisite for procreation, but conception usually occurs during sex. This is considered optimal for the development of the child, since the two mothers’ minds are merged at this moment. Every Gilkeshni (singular) is telepathic to some degree; during sexual arousal, and particularly during orgasm, the usual mental defenses are down and a woman’s mind becomes more transparent to her partner. In the Gilkesh language (as in Hebrew), the verb “to know” is also an idiom for sexual intimacy.

It is important to note that it is the aroused partner whose mind is exposed, and therefore vulnerable. This is why the Gilkesh, although not generally a prudish lot, treat sex with respect. To surrender to pleasure in the arms of another woman is to be leave oneself open. In dysfunctional relationships, one partner may refuse to come, or feign frigidity, in order to gain psychological leverage over the other. Also for this reason, sex with a mentally ill or unstable partner can be risky. And the nature of Gilkesh sex is a natural deterrent to infidelity, since an unfaithful partner may inadvertently reveal memories of an illicit encounter during sex.

Sex is often employed in espionage as well. Sexual telepathy is not the most effective or reliable way of collecting factual data, but it can often provide clues not available through other methods, and is particularly valuable in assessing the subject’s state of mind. For this reason, high-level government and security officials are often required to remain celibate during periods when they may be exposed to sensitive information.



The Queen's Courtesan

Tuesday, August 21, 2007

TQC/Gilkesh notes.

"The Queen's Courtesan" is a story involving the human-like, all-female Gilkesh race. Their homeworld, Shakti, is now ruled jointly by the two queens Kathris and Amira, who were formerly rivals and are now married to each other. But both the marriage and the political climate are unstable, and one of the queens (Amira) is having an affair with a young alien-affairs specialist named Joli. Joli has just confided her secret to her best friend, the astrophysicist Dess, and she knows that she's going to have to break off the affair.

Meanwhile, the Gilkesh homeworld faces danger from a space warp and from the shadowy, nihilistic cult called Singularity.

At present, I'm not going too deep into technical details such as units of time measurement and so on. I do want to keep track of the *sequence* of events, which is important. The current series of chapters from 31 through 40 is told in "flashback" time and recounts things that happened prior to the main narrative of the story: the strategic rivalry between the Amirite and Kathrite domains - which extends to a "space race" - prior to the marriage and unification of the two realms; the genesis of the Singularity cult (in pre-space-age Shakti) with the mad priestess Q'ormis; and the loss of Joli's birth-mother early in Joli's childhood, following her involvement with, and estrangement from, Singularity. (I think this traumatic event might have left Joli subconsciously looking for a "mother figure" which would have led to her highly unwise choice of a romantic partner in Queen Amira.)

On colony worlds, especially remote places like Planet 138 where there's minimal stellar radiation, most energy is provided by nuclear fusion reactors. These might run on Helium-3 extracted from the planetary crust. (Perhaps Joli's late birthmother was involved in this kind of work.) The same principle is employed by the Humans, the Fao, and other intelligent races. Zero-point field (or vacuum energy) technology is avialiable but in its infancy during the timeframe of TQC.

Hyperspace travel (without which the kind of space exploration depicted would be impossible, except for the long-lived Fao) is closely linked to zero-point technology and is also in its early stages. For the purposes of this story, I'm assuming the existence of a quasi-infinite number of parallel universes, so that by traveling to a designated point in a parallel universe one can circumvent the relativistic restrictions on spacetime travel. Also for the purposes of this story, I'm positing the existence of some kind of spacetime anomaly in the local region - closely linked to the "space warp" I mentioned earlier - which also prevents space travelers from traveling beyond a certain "distance" in space and time; Dess and Joli discuss the idea in the chapter "Time Bubbles".

The story itself, though, is mainly character-driven. I like writing women characters because it's easier for me to write characters who are at home in the world of emotions. That's not to say that men aren't sensitive, but I think if I wrote my Gilkesh characters as men they might come out effeminate sounding. So the story is set up the way it is, partly just because I enjoy writing women characters.

Thematically, I like to think the story is about growth. In a way, I see the space travel element as emblematic of the journey away from the "mother planet" and into the larger universe. I think this is one of the biggest challenges of the mother/daughter dynamic (it certainly was in my family of origin) - and the Gilkesh, who have only mothers, understand this. This is why their culture is structured to emphasize the importance of individuation, and why Singularity, with its seductive message of "returning to the source", is in a sense the antithesis of normal Gilkesh values.

Of course on some level we *do* have to make peace with our origins and "return to the source". This is why both Lilith and Eve are important in Gilkesh mythology. In this context, Lilith represents the outward force and the will to live, while Eve represents the ultimate return to the metaphysical "womb". In the Gilkesh tradition, Lilith guards the gates of the underworld, while Eve is the Angel of Death. (Remember, in our Bible, Eve was the bringer of death *before* she was the bringer of life.) You could say that they represent Jupiter and Saturn, respectively, astrologically speaking; or in Jungian terms, Eros and Thanatos.

In the chapter on Lilith, I have several of the characters giving their interpretations of the symbolism of Lilith in their culture. Notice that Sestris - who is a Singularity adherent - has a very different interpretation from the others. I used the device of the characters addressing the reader in an "aside" (you could picture, as in a movie, the characters speaking directly into the camera) as a way to present the information directly rather than trying to figure out how to work it into the story - especially with Sestris, who is "undercover" and would not normally talk about her beliefs openly with the other characters.